Many of Bethany’s musician friends perform with Newport, Oregon’s Symphony. It is a rather small symphony and, thus, very intimate and much beloved by its small, tight-knit coastal community. I have accompanied Bethany several times when she has performed as second harp, to her friend, Martha Griffith. The best conversations I have had in the audience have been with Newport Symphony’s friendly patrons. I am quite shy but someone has always engaged me there. Newport was one of the very first symphonies that I approached with my idea to do an oil painting to auction off as a fundraiser. I was thoroughly vetted by the symphony executives before I was given access. What came next was a feeling of inclusion that gave me chills from the center of my bones to the surface of my skin.
Just prior to the last concert of the 2017-18 season, Newport had seen the passing of one of its favorite people, Mr. David Ogden Stiers, aka Major Charles Emerson Winchester III from MASH. He was much beloved as a Conductor-in-residence for the symphony, and when concert time came the community was still grieving. Maestro Adam Flatt conducted a moving musical tribute to him that I observed from the side of the stage. As I watched, I was able to feel Mr. Flatt’s passion. I had told Flatt before the concert that I thought the best perspective for the painting might be looking toward him from the left side of Tubist, Jay Steele. At last, and as agreed, I climbed the several steps to stand beside Jay and his tuba for the final piece. My heart raced to study and film a conductor from within the symphony, albeit the back corner in the semi-dark where I stood wearing all black and with my camera raised. I was thrilled and moved. It is one of the most precious sensory experiences I have ever had. I hoped to paint Flatt’s intrinsic action and command. I hoped to portray the human individuality of the musicians, and I hoped to create a painting that would convey the architecture of this community’s ties, and their elemental relationship to their place.